I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Chariot racing. Gambling. Alcohol. Sex. If you’ve ever wondered what ancient Romans did for fun, look no further than Jerry Toner’s book. His book makes me laugh and learn in equal measure. Toner excels at revealing what is distinctive about ancient Roman practices (regularly bathing nude in public)—but also what feels startlingly modern (betting on horses and drinking with friends). From the wealthiest to the poorest of Romans, Toner shows just how serious the business of fun was in the Roman world. I love this book because it makes me think about quintessentially Roman topics from a bottom-up, rather than elite, perspective.
What role did leisure play in the life of ancient Rome? For us in the modern world, leisure is secondary to work. But in ancient Rome leisure was central to social life and an integral part of its history. By exploring the nature and role of leisure, Toner offers a new way of looking at Roman society at all levels, not just among the elite. He examines the imperial games and the baths, as well as the forms of leisure associated with popular culture, such as gambling, the taverns, theatre and carnivals. He shows how these activities, while central to…
Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.
The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
This lavishly illustrated book offers a visually stunning and information-packed tour of ancient Rome’s most popular forms of entertainment: chariot racing, gladiatorial combats, and theater performances. I was astonished by the sheer range and creativity of Roman spectacles and their material commemorations, from action figures of gladiators with removable helmets, piggy banks with pictures of lucky winning charioteers, and mosaic puzzles that challenged viewers to guess the names of famous racehorses based on visual clues. As an art historian, I particularly love the beautiful color illustrations; my own copy of this book is dog-eared because I am constantly returning to look at the fascinating objects she discusses. For me, this book about spectacles is spectacular in its own right.
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in…
Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited.
In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
If you want to know what some Romans thought about sport and spectacle in their own words, turn to Anne Mahoney’s sourcebook, which offers translations of key literary passages and inscriptions. From Horace’s descriptions of unruly theater audiences to Ovid’s advice to young Roman men about how to pick up girls at the circus, this sourcebook brought the world of Roman spectacle to life for me. I love that she shows how the themes that make modern sport and fandom so complex—religion, gender, politics, and money—were just as relevant in ancient Rome. I always come away from reading the sources she compiles feeling that Roman sports fans are not so different from us today.
Roman Sports and Spectacles: A Sourcebook contains numerous translations from the Latin, including famous authors, such as Cicero, Seneca, Tertullian and Augustine, and the not so famous, including graffiti, advertisements and tombstones to paint a world view of what sports Romans played and what they thought of them. The world of Roman sports was similar in many ways to our own, but there were significant differences. For one thing Roman sports centered during religious festivals and the participants were most often slaves. Roman sports were not team sports, but individual competitions. And sports like chariot racing and gladiatorial competitions were…
If you think souvenirs and memorabilia are just a modern phenomenon, think again! Tourists and sports fans in the Roman Empire could purchase travel souvenirs, keepsakes of sporting events, and miniature replicas of famous statues and monuments. Straddling the spheres of religion, spectacle, leisure, and politics, ancient Roman souvenirs allow us to look beyond our traditional sources of Roman history and catch a glimpse of the experiences, interests, imaginations, and aspirations of ordinary people living in the empire from Britain to Syria, and everywhere between. Ancient souvenirs shaped how people “saw” places, people, and events they might never see in person, and they allowed sub-elites to participate, even if vicariously, in an empire-wide culture of travel, leisure, and spectacle.
A Sumerian tale of irrigation, floods, and the creation of man
by
Ken Goudsward,
Contrary to popular belief, the Atrahasis Epic is not merely a flood myth. In some ways it can be called a creation myth. However, it does not concern itself with the creation of the universe or even of the earth. Rather, the created work in question is one of culture…
We Had Fun and Nobody Died
by
Amy T. Waldman,
Peter Jest,
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
